Category Archives: Events

Benefit Concert with The Elaris Duo for Sandy Hook Promise

On May 2 at 7:30 pm, The Elaris Duo (Larisa Elisha, violin, and Steven Elisha, cello) will perform a benefit concert of my music, along with pieces by Schulhoff and Kodaly in New York. All of the proceeds from the concert will go to Sandy Hook Promise, a non-profit set up after the 2012 shootings at Sandy Hook Elementary School.

Sandy Hook Promise’s mission is national — to protect children from gun violence so no other parent experiences the loss of their child by engaging and empowering parents and communities with targeted prevention programs in the areas of mental wellness early-identification & intervention, social & emotional development and firearm safety & security. More information on their programs is available at SandyHookPromise.org.

As for the concert, I will be joining the Elaris Duo on piano to perform a special preview of my piece An Offering: For The Families of Newtown.They will be premiering Shifting Spirits, for violin and cello, and I will also perform some of my piano works.

The concert is at the DiMenna Center For Classical Music. Tickets are available now at brownpapertickets.com/event/1434131.

Performances and discussion in Japan

Some of my music will be presented on Sunday, May 20 at Kanack Hall in Yokohama, Japan. This Zen in Music concert is presented as part of a meeting of the Japan Institute of Rhythm.

The event will feature violinist Junko Ando and pianist Daidouji Rentarou performing Gently Flowing, Sonata for Violin and Piano (2010). I will perform the first and third of my Four Meditations from Dogen (1994). Music by composer Kouichi Kiriyama will also be presented.

On May 19, I’ll take part in a panel discussion on “Schoenberg in America” presented by the Musicological Society of Japan. It will begin at 2:00 p.m. in the Art Hall of Meiji-Gakuin University of Tokyo.

Visit to Sichuan Conservatory

I presented Variations on a Theme of Arnold Schoenberg – An American Composer’s View on November 24 at Sichuan Conservatory of Music in Chengdu, China.

During my visit to the school, I also offered a master class for composition students and took part in two informal classes in the practical application of Schoenberg’s “Theory of Harmony” in progression writing.

Sichuan Conservatory is one of the main music conservatories in China, with some 14,000 music students. More about them is at http//www.sccm.cn/english/index.asp.